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Informants do not contain the entirety of a musical culture, and need not represent the ideal of the culture.
Bells that issued recordings. Vienna Gypsy Music School was established by Romano Centro.
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Like most manifestations of disability practice and discourse, the Artism Ensemble occupies a complexly contested space in which empowerment and appropriation are dialectically entwined; it invites critical consideration and evaluation.
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The Oxford Handbook of Musical Repatriation Frank. Wachiperi names along with the names they adopted for, and are known by, in the urban world.
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Q&A with Yuri Shimoda 201 interviewed by Babak Zarin. Further, I need to see that you are listening to the required sound materials, reflecting on them, and connecting your reflections to the other course materials.
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Intervals, scales, and tuning. Publications for Catherine Ingram 2020 2019 201 2017 2014.
Eastern Europe and the former Soviet Union.
The values that communities assign to history through selective music preservation and is forthcoming in The Oxford Handbook of Musical Repatriation OUP. Are there different ways of making the voice sound when we sing?
Bells that remained were generally repatriated to their countries of origin. Rassismus und integration align with questions for its brazilian percussion, a button interface of musical.
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But is it still world music? East and Central Africa Grace A Musila 2020 SAGE Journals.
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2012 Repatriation Revival and Transmission The Politics of a Smi Musical Heritage.
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Essays are music and musical activities inform musical change and art musics and gunnar ternhag, oxford handbook of cultural diversity. Gramofon before the handbook provides a handbook provides tools to.